Evgeny Sviridov violin, Davit Melkonyan cello, Stanislav Gres harpsichord
[dropcap]A[/dropcap]s well as three sonatas from Tartini’s op. 1 (nos. 5, 10 and 12), this excellent recording features two of the sonate picciole that survive in manuscript and a Pastorale for scordatura violin, all of which clearly demonstrate the composer’s (and Sviridov’s!) prowess as an exponent of the instrument. Indeed, the disc was part of Sviridov’s prize for winning the International Competition Musica Antiqua at the Bruges Festival in 2017. He (and his colleagues) take all of Tartini’s demands in their stride. I particularly enjoyed the sonatas from the manuscript – either unaccompanied (as Tartini notes that he normally played the,) or sometimes with cello (having supplied a bass line to conform with expectations…), but not just a simple bass line; Melkonyan plays chords and ornaments, so these are true duos. Throughout Sviridov is compelling and exciting.
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