Virtuoso liturgical music from the early 17th century
Profeti della Quinta, Elam Rotem
[dropcap]I[/dropcap]t is immediately obvious that this recording, much to its advantage, features a fine church (rather than a chamber) organ and further investigation reveals this to be a 17th-century original by Antegnati, no less. Six of the 23 tracks are, in fact, organ solos so we hear not only the accompanying stops and the rich chorus sound but also two delicious and very characteristic solo effects: head straight for tracks 16 and 22.
If I’m honest, the vocal music, though sung with exquisite taste and impressive agility, is of less intrinsic interest, though the manuscript and its context are fascinating. Essay and translations are in Eng/Fre/Ger and the source is available on IMSLP.