Alice Foccroulle, Béatrice Mayo-Felip, Reinoud Van Mechelen SST, InAlto, directed by Lambert Colson, Marc Meisel organ
On the whole, I’m more familiar with Scheidt than Schein, though some Scheidt is a bit over-regular. My main criticism here is that Schein deserves a complete disc rather then jumping to the end of the 17th century, and J. S. Bach really is too late!
Most of the Schein works come from Opella nova, 1617, and very impressive they are, though in “Exaudiet” the tenor texts were more audible than the soprano, and cornett/sackbutts do tend to need more gaps, much as I like them. I reckon that this could be a brilliant CD had it been more thought out, though do buy it. The booklet is excellent, apart from not noting which soprano is which.