Miklós Spányi clavichord
Wq52/4–6, 65/47 & 49 [H37, 163, 129, 248 & 298]
[dropcap]I[/dropcap]n this, volume 29 of the BIS complete C.P.E. Bach keyboard series, Miklós Spányi makes a strong case for the clavichord, both in his playing and in the useful sleeve notes. He gets a wide range of dynamics and articulation, and the recording quality is excellent, picking up every nuance. The five sonatas in this volume come from a range of periods: there is one early one from the 1740s (Wq 52/4), two from the middle period and two late sonatas. The most impressive is that in E minor, composed in Zerbst in 1758 (Wq 52/6), a classic combination of CPE Bach’s control of extended structures with very quirky moments. Spányi plays on a copy by Joris Potvlieghe of a 1785 clavichord by Gottfried Joseph Horn of Dresden, now in the Leipzig Musikinstrumentenmuseum. These are very persuasive accounts and contrast well with similar works recently recorded on the pianoforte by Riccardo Cecchetti.