Tripla Concordia, Walter van Hauwe
BWV527, 997, 1027-29
The five pieces presented on this CD are all transcriptions and arrangements of works by Bach; three of them are derived from sonatas for viola da gamba and harpsichord – BWV 1029, 1027 and 1028 put into keys that are easier for recorders after analogy with the version for two flutes (BWV 1039) of No 1 in G, which may well be the earlier version. The others pieces are an arrangement for recorder and harpsichord of the C minor lute partita BWV 997 and the D minor trio sonata for organ BWV 527.
The idea of re-scoring works so that novel combinations of instruments can play them – perhaps domestically for fun or for instruction – was something that Bach clearly did with his own compositions, so the idea is not new. This group is primarily of recorder players, who had a good time re-imagining these versions which sound pretty plausible.
Bach is always worth playing in any version you can: whether these arrangements will last remains to be seen. They are easy to listen to, the players are more than competent and I am consigning my copy to the car for a bit, as they provide novel but unchallenging listening.