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Cupid’s Ground Bass

Music by Biber, Cavalli, Farina, Kapsberger, Monteverdi, Strozzi, Uccellini
Bellot Ensemble
First Hand Records FHR183
60:55

This charming collection of love-songs and instrumental pieces explores the joys and sufferings of love in a selection of 17th-century music with an emphasis on Italy. The solo voices are soprano Lucine Musaelian and tenor Kieran White, whose vocal contribution is individually very fine, before they symbolically finally come together in Monteverdi’s Zefiro torna. The instrumental playing, both as accompaniment and in the instrumental interludes, is also wonderfully imaginative and lyrical. Recorder, violin, viola da gamba, cello, baroque guitar/theorbo and harpsichord/organ blend together beautifully in music ranging from the delightfully celebratory to the plangently affecting. The Ensemble specialises in ornamentation, consulting a number of historical sources but ultimately embodying the rules and bringing them to impressive fruition in rehearsal and performance. Several highlights for me were the Sinfonia and Act I aria “Delizie contenti che l’alma beate” from Cavalli’s hit opera Il Giasone, sparklingly played by the Ensemble and ravishingly sung by Kieran White, and “Che si può fa” by Barbara Strozzi, exquisitely sung by Lucine Musaelian, while accompanying herself on the gamba as in the famous Strozzi portrait. This is mainly musical territory which has been explored previously, but the Bellot Ensemble and their engaging vocal soloists give even the very familiar material a novel twist, providing us with a programme which is constantly intriguing and enjoyable.

D. James Ross

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