Renaissance

Pavans and Fantasies from the Age of Dowland

Programming John Dowland’s seven ‘Lachrimae’ pavans in concert or on CD is always a problem. Should they be played as a single sequence or be interspersed with contrasted pieces? They are often grouped in suites with other pieces from the 1604 Lachrimae collection, despite Dowland apparently wanting to avoid conventional pavan-galliard pairs. [...]

Pedro de Escobar: Missa in Granada (c.1520)

This fine recording, made in 2000, was first issued on the Christophorus label in 2003. Escobar was originally from Porto; in the early 16th century he was music director and Magister Puerorum at Seville Cathedral, where he may have taught the young Morales. [...]

The Hunt is Up

Ross Duffin's Shakespeare's Songbook is quoted as the main source, though the scorings and adaptations are occasionally a bit odd. The main singer has an English accent that is a bit variable [...]

Gesualdo: Dolcissimo Veleno

La dolce maniera have adopted a highly original approach to the love madrigal here by taking at least one madrigal from each of Gesualdo’s published volumes, twenty madrigals in all, and arranging them into a ‘romantic song cycle’ charting the establishment, growth and eventual implosion of a romance. [...]

In the midst of life: Music from the Baldwin Partbooks I

Like his counterpart in Scotland Thomas Wode, John Baldwin is among a handful of musicians whom we have to thank for the preservation of the treasury of sixteenth-century choral music. Baldwin was particularly diligent, recording almost 170 works from early in the century right up to his own lifetime in the last quarter of the 1500s, many of which survive as unique copies. [...]
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