Baroque

Schultzen: Recorder Sonatas & anonymous Viola da Gamba sonatas

This is the first recording of the six recorder sonatas by Schultzen which were published by Roger in Amsterdam and survive in a copy in the Bibliothèque Nationale de France. Although they appear in Roger’s 1737 catalogue they are known to have existed as early as 1704 and the identity of A. H. Schultzen, the composer named on the print, is somewhat mysterious. [...]

Guillemain: Sonates en quatuors

EMR will readers will surely be able call to mind Quantz’s advocacy of the quartet and his admiration for Telemann’s works in the genre. Well, here’s music that seriously rivals GPT and that’s a clause I never thought I’d type. [...]

Piccinini: Lute Music

Two books of music by Alessandro Piccinini survive: his Intavolatura di Liuto e di Chitarrone Libro Primo (1623) and Intavolatura di Liuto (1639). The chitarrone (i.e. theorbo) pieces from the first book are one of the few major sources of music for that instrument, and have been recorded frequently in recent years. [...]

Roman: The 12 flute sonatas: Nos. 1–5

The Swedish composer Johan Helmich Roman’s twelve flute sonatas were published in Stockholm in 1727, the year in which he was appointed as court Kapellmeister. Telemann advertised that he was the agent for their sale in Hamburg [...]

Bach St Matthew Passion BWV244b

Peter Seymour’s Yorkshire Baroque Soloists give us a thoughtful, moderately-paced account of the early version of Bach’s Matthäuspassion, helped greatly by a score carefully prepared by Peter Seymour and splendidly sung by Charles Daniels and Peter Harvey. [...]

Sinkovsky plays & sings Vivaldi

What might one not like in this issue? Well, for me top of the list are the ‘silly [and unnecessary] pluckers’. I also wonder about the need for more than single players on the ripieno parts and the presence of a double bass in the concertos. [...]

Veracini: Adriano in Siria

Adriano in Siria was the first of three operas written by the virtuoso violinist Francesco Maria Veracini for Handel’s London rivals, the Opera of the Nobility. It was first performed at the King’s Theatre on 26 February 1735, subsequently running to an impressive 20 performances. [...]

Janitsch: Sonate da Chiesa e da Camera

Where previous releases of discs devoted to Janitsch's gorgeous chamber music have concentrated on quartets that highlight winds, the emphasis here is slightly on the string family, and divides the programme equally between quartets and the less often heard trios (one of which is taken one step further by having one of the treble lines played by the harpsichordist's right hand). [...]

Grzegorz Gerwazy Gorczycki: [Church music]

Don't be put off by the snappy title and marvellous marketing! This is a gorgeous recording of some really lovely music – you will not be alone if you have never heard of the composer; he lived 1665–1734 and was head of music in the Wawel Cathedral in Krakow for the last 36 years of his life. [...]
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