Heinrich Ignaz Franz Biber: Requiem in f…

I've played organ for the F-minor Requiem nearly as many times as Monteverdi's 1610 Vespers, though mostly (in both cases) for workshops or small-scale concerts. I reckon this and the 23-part Mass are significant works, whereas the 53-part Mass (my parts have 57) is a bit boring, since the rich texture doesn't produce enough beyond that. [...]

Mikolaj Zielenski: Ortus de Polonia

This is the latest in a fine series of recordings in which the cornettist Judith Pacquier promotes the Polish baroque. The pieces vary from the massive multichoral to intimate small scale pieces – in homage to their Italian models. [...]

Bach: Sonatas for Violin & Harpsichord

Lucy Russell, best known as leader of the Fitzwilliam String Quartet, and John Butt, director of the Dunedin Consort, join forces to produce a uniquely personal interpretation of these six sonatas, or perhaps more correctly, trio sonatas, as many movements follow the pattern of the organ trio sonatas, giving two of the three contrapuntal lines to the harpsichord. [...]

Rameau: Castor & Pollux

As with Mozart, so with Rameau. When you’ve heard several operas (or even the same one several times) it’s easy to forget how brilliant they are. However, this recording offers a stimulus for renewed admiration by using the 1754 re-working of the 1737 original [...]
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