Categories
Recording

Giuseppe Sammartini: Concertos for the organ, op. 9

This is a re-release of a 2000 recording. Giuseppe was the elder brother of the better known Giovanni Battista. Born in 1695, he left Milan for London in 1728, where he stayed until his death in 1750, making quite a name for himself.

Fabio Bonizzoni, La Risonanza
63:17
Glossa GCD C81505

[dropcap]T[/dropcap]his is a re-release of a 2000 recording. Giuseppe was the elder brother of the better known Giovanni Battista. Born in 1695, he left Milan for London in 1728, where he stayed until his death in 1750, making quite a name for himself. These concertos, published after his death for “Harpsichord or Organ”, are domestic in scale, with just two violins, cello and bass alongside the organ. It is not clear when they were composed, but they have more of a Rococo than Baroque feel to them, rather enhanced by the playing style on this CD. The spiky solo registrations are not in keeping with the English organ of the period, and nor is the over-articulated performance style. Bonizzoni keeps to the two-part structure of most of the organ solos (without infilling the harmonies, a debatable point for this repertoire), but it is a shame that he doesn’t make more of the organ when in its continuo role – it is more-or-less inaudible. The notes give no information on the organ, but I have a feeling it is later than this repertoire. It is certainly not in any English or Italian early to mid 18th-century style. Two lively little Sonatas by Giovanni Battista Sammartini complete the disc.

Andrew Benson-Wilson

[iframe style=”width:120px;height:240px;” marginwidth=”0″ marginheight=”0″ scrolling=”no” frameborder=”0″ src=”//ws-eu.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=GB&source=ss&ref=ss_til&ad_type=product_link&tracking_id=infocentral-21&marketplace=amazon&region=GB&placement=B00SZMNVPG&asins=B00SZMNVPG&linkId=JS34CRBL7BSCVACC&show_border=true&link_opens_in_new_window=true”]

Leave a Reply

Your email address will not be published. Required fields are marked *

Discover more from early music review

Subscribe now to keep reading and get access to the full archive.

Continue reading