Barthold Kuijken transverse flute (with Robert Kohnen harpsichord, Wieland Kuijken gamba) & Peter Van Heyghen recorder (with Kris Verhelst harpsichord),… Read more G. F. Handel: The Complete Solo Sonatas for Wind Instruments
This is one of two discs this month of which I have to say, ‘This is the most enormous fun’. The instruments (modern copies of Hemsch and Blanchet) produce a fine, rich sound
The phrase ‘sense and sensibility’ in the title is a very appropriate description of the playing here, as well as of the music. Cecchetti performs three mature sonatas, together with two Fantasias and a Rondo, with great sensitivity of feeling and of touch.
This is an exceptionally interesting recording of a ‘new’ repertoire, still to be made generally available, of the highest quality. The manuscript, currently held in France, possibly originated in north Germany.
I have mixed emotions about this recording. I was moved to tears by Quintans as Jonathan in Charpentier’s sacred opera at the Edinburgh Festival a few years ago, but was not immediately taken by her interpretations of Albinoni’s unsurprisingly glorious music for voice.
This is one of two discs this month of which I have to say, ‘This is the most enormous fun’. It is the third of three recitals of Gallay’s music which Anneke Scott has recorded with support from the Gerald Finzi Trust and when I’ve finished writing this I’m going to order the other two.
The Sixteen’s representative account of Palestrina’s music has reached volume six, and sticking to the tried and true formula of programming a handful of motets, some items from The Song of Songs and a Mass setting, they are singing the five-part Mass L’Homme armé with penitential and devotional motets.